WFC An International Collection of Wood-fired and Sculptural Ceramics 薪窯陶芸と彫刻陶芸 インターナショナル・コレクション Een Internationale Collectie van Houtgestookte en Beeldhouwtechnieken Keramiek Une Collection Internationale du Feu de Bois et Céramique Sculptural ????????????
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Barbara Campbell-Allen
Wollstonecraft, Sydney, New South Wales Australia
'Inspiration’ is a word often used to seek the source of an idea. My sources lie in my experience of the created natural world, in rocks and stones, canyons and chasms and in the creations of mankind. The process of making and firing is a reflection of the processes of nature, sometimes life giving, sometimes destructive. ‘As if through a fire tested’, I wish to explore the ability of human creation to withstand and respect the rigours of natural forces. At times refined and delicate, at times robust and bold, my work is grounded in the morphology of landscape and the archeology of humankind’s endeavor to mould its environment.
wfc > Barbara Campbell-Allen Wollstonecraft, Sydney, New South Wales Australia work 作品 werken catalogue | resume 陶歴 hervat résumé | exhibitions 展覧会 tentoonstellingen expositions | kiln 窯 oven | contact 連絡先 contact contact 'Inspiration’ is a word often used to seek the source of an idea. My sources lie in my experience of the created natural world, in rocks and stones, canyons and chasms and in the creations of mankind. The process of making and firing is a reflection of the processes of nature, sometimes life giving, sometimes destructive. ‘As if through a fire tested’, I wish to explore the ability of human creation to withstand and respect the rigours of natural forces. At times refined and delicate, at times robust and bold, my work is grounded in the morphology of landscape and the archeology of humankind’s endeavor to mould its environment.
Barbara Campbell-Allen
Wollstonecraft, Sydney, New South Wales Australia
'Inspiration’ is a word often used to seek the source of an idea. My sources lie in my experience of the created natural world, in rocks and stones, canyons and chasms and in the creations of mankind. The process of making and firing is a reflection of the processes of nature, sometimes life giving, sometimes destructive. ‘As if through a fire tested’, I wish to explore the ability of human creation to withstand and respect the rigours of natural forces. At times refined and delicate, at times robust and bold, my work is grounded in the morphology of landscape and the archeology of humankind’s endeavor to mould its environment.
< Prev 20 of 153 Next >
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